Kazan, Republic of Tatarstan
Kengo Kuma & Associates, Wowhaus bureau, and the creative workshop of local architect Bakulin German Alekseevich will create a new space for the Galiasgar Kamal Theatre, one of the region’s oldest Tatar national theaters.
The theatre, named after playwright Galiaskar Kamal, was founded on the banks of Lake Kaban in 1906 and has become the main showcase for Tartar drama.
It is this playhouse that Kuma and the design team are to replace.
The surreal design concept of shifting triangular silhouette shows different profiles when viewed from different sides.
According to Kuma, the inspiration came from “frost flowers,” a rare natural phenomenon that occurs on the surface of the water in cold weather.
The new building is conceived as part of the topography of the place, as a park with pedestrian routes and recreational areas integrated into and picking up from the existing waterfront improvements.
The overall aim is a building that appears to merge with the lake in winter.
In summer the unity with the landscape will be achieved through the multifaceted reflections of the transparent facades on water.
The building’s form is inspired by the Tartar soul itself: sharp/closed on the outside and soft/hospitable inside.
The lighting concept is to light up the warm inner space of the foyer and gradually dissolve the light with the triangular panels of the façade.
The brightly ornamented paneling in the interior refers to traditional Tatar crafts creating a welcoming atmosphere.
The “pointedness” and aspiration are characteristic features of Tatar culture, architecture, and art.
Transformed into a landmark, another attraction for the city, the building connects to the unique surrounding ecosystem and the center of vivid urban life.
The intervention will take on three halls: main, universal, and eastern, as well as creative and educational laboratories, a public area, and rehearsal and administrative spaces.
The foyer, devised as an “urban living room” visually connects the city and the lake. Entrances from all sides of the building draw pathways for visitors naturally providing light and ventilation at the same time.
The concept builds a comfortable environment and convenient navigation for all theatre workers: a spacious floor for artists and administration, and comfortable accommodation for all workshops.
The underground floor area is minimized to facilitate access and maintenance and to reduce construction and operating costs.
The interior features Tatar crafts and ornaments to create a welcoming atmosphere, and the building’s foyer will act as the city’s “family room.”.
A floor will be dedicated to artists, administration, and workshops, and the basement to access and maintenance.
Pedestrian routes and recreational areas are integrated into the lake embankment.
Project: Galiasgar Kamal Tatarian State Academic Theatre
Architects: Kengo Kuma & Associates, Wowhaus bureau, and Bakulin German Alekseevich
Structural Engineers: Werner Sobek AG.
Client: Galiasgar Kamal Tatarian State Academic Theatre
