Takayuki Kuzushima’s countryside house with its diversity and modernity offers a calm, peaceful place with a view of the Suzuka Mountains

Nagoya, Japan

Rural House by Takayuki Kuzushima and Associates is a home and office for a dentist, complete with the owners parents’ household living area and a garden for patients visiting the dental clinic.

Takayuki Kuzushima‘s concept of this new countryside house first appeared in contrast to when the concept of the city was created.

The boundary is not clear, but the countryside can be thought of as an extension outside the city.

Sites in cities are being attempted to be structured according to systematic and industrial principles, but in the countryside, there are many vague places that deviate from such principles.

In the countryside, it seems commonplace to seek an individual and concrete way of architecture that is completely different from the strong structure of the city.

Kuzushima’s planned site of this house is a calm place with a view of the Suzuka Mountains in the distance and fields surrounding it.

The road in front is a gentle slope, and there are cluster of enoki mushrooms on the premises.

The owner runs a dental clinic next to the north and wanted a plan for the entire site including this house.

This house is built along the deformed site boundary almost as it was and there are no walls or fences.

There is a height difference of 1 meter at the planned site, but it was not created and was taken into the room as a ramp.

The plan along the boundary of the site has floors with height differences and a roof that descends parallel to the ground.

Kuzushima replaced the characteristic environment with the individuality of the architecture.

The site, which had been abandoned for a while, can now be used not only as a vast backyard for the owner’s family and parent households living in the main building, but also as a garden for patients visiting the dental clinic.

The plan took the form of a courtyard house, with rooms arranged in various orientations.

With a plan using a direct grid, it is difficult to secure an indoor area, and the amount of excavation on the ground increases, making it difficult to cope with deformed sites and slopes.

Therefore, instead of using a grid, contour lines were used as auxiliary lines, and the building was bent along the site.

The beams were laid out radially around each of the four courtyards, and they were continuous along a meandering road-shaped room.

Kuzushima reminds us of the possibility of architectural creation in the countryside in the current situation where houses will be dispersed toward the suburbs, avoiding excessive congestion in the city.

Such development is not only about being safe against viruses, but also about changing the way we work with technology.

Finding particularity in the expanse outside the city seems to be a manifestation of modern values currently seeking more diversity.