Cambrigde, Massachusetts, USA

Elegant design, world-class acoustics, and inclusive artistic vision are the key elements of the newly developed MIT music building designed by SANAA, that is to become more than just a new facility representing MIT’s ongoing investment in the arts.

Named “Edward and Joyce Linde Music Building”, the building consists of three interconnected volumes; the Beatrice and Stephen Erdely Music and Culture Space – Designed for rehearsals and recordings, featuring advanced sound insulation and acoustical enhancements.

The Thomas Tull Concert Hall – A purpose-built performance venue designed for exceptional acoustics and flexible configurations and the Jae S. and Kyuho Lim Music Maker Pavilion.

A space dedicated to classrooms and studios, supporting MIT’s growing graduate program in music technology and computation.

All three sections are linked by an inviting, glass-walled lobby that encourages movement and engagement.

This transparent architectural choice reflects SANAA’s signature style—open, airy spaces that foster creativity and interaction.

Strategically positioned on MIT’s West Campus, the Linde Music Building complements an architectural lineage that includes Eero Saarinen’s Kresge Auditorium, MIT Chapel, and Alvar Aalto’s Baker House.

The building’s curved curtain walls and red-brick cladding pay homage to its historic surroundings while introducing contemporary design elements.

The structure also enhances the Kresge Quadrangle, integrating green spaces and pedestrian walkways that connect various cultural hubs on campus.

These outdoor areas further serve as informal performance venues, reinforcing the university’s commitment to making the arts accessible to all.

Beyond its architectural elegance, the Linde Music Building offers a suite of facilities designed to elevate music education and performance at MIT.

A two-level underground garage, providing approximately 140 parking spaces for visitors and faculty and a sound-insulated rehearsal and recording spaces, ensuring optimal acoustics.

Indoor informal performance areas, adaptable for different musical settings plus an outdoor plaza, configured to host public performances.

By prioritizing both function and aesthetic appeal, the architects have created an environment that nurtures musical talent while engaging the broader MIT community.

To conclude, by providing state-of-the-art spaces for musical performance and education, the university is fostering a new generation of artists, engineers, and innovators who will shape the future of music and technology.

Project: Edward and Joyce Linde Music Building in MIT
Architects: SANAA (Sejima and Nishizawa and Associates)
Lead Architect:  Kazuyo Sejima
Client: Massachusetts Institute of Technology (MIT)
Photographers: Ken’ichi Suzuki